At once hermetic and worldly, ethereal and dense, this tightly focused exhibition reflects in its contradictions the difficulties and pleasures of Rockburne’s early career, which spanned from the late 1960s to the early ’70s.
Still, she liked what she had become. She slept in a den of sticks of her own making. Language and its judgment escaped her. Was being animal closer to God than innocence? Her voice was her breath. She was still alive.
In their entry on love, Berlant writes that we tend to (mistakenly) use the objects our desire attaches to in order to assume an identity— “you know who…
For Berlant, part of the problem of politics is that marginalized people have to accommodate the feelings of their majority counterparts in order to successfully…