Gulf Coast Online Exclusives


Communicating with Your Dead: An Interview with Sam Roxas-Chua

David Nilsen

"I've always been interested in the invisible poem. When a poem is finished, what is the undercurrent? What is it still trying to say?"


Dead Matter

Katharine Coles

Not fossil not decay unfurls / A shining ladder and makes / Rescue all. In movies / Lets loose, tears off

Taking My Dog to The Opera

Who would have thought he’d sit / so still so long, but he settles right / into our row, props his head on the velvet / armrest basking in the company

intimate structures: Dorothea Rockburne at Dia:Beacon

Chloe Wyma

At once hermetic and worldly, ethereal and dense, this tightly focused exhibition reflects in its contradictions the difficulties and pleasures of Rockburne’s early career, which spanned from the late 1960s to the early ’70s.

from Waiting for Perec

Mario Meléndez, trans. by Eloisa Amezcua and John Allen Taylor

It was night / Death slept naked / on God’s corpse


From the Archives

2 Stories

Brenda Peynado

Still, she liked what she had become. She slept in a den of sticks of her own making. Language and its judgment escaped her. Was being animal closer to God than innocence? Her voice was her breath. She was still alive.

The Cost of the Show

Jessica Lee Richardson

Online Exclusive fiction from Jessica Lee Richardson.

Broken Ode on My Bank Account

Parker Logan

Jesus Christ let me get a witness / on my grave I don’t have a dollar / I barely even own my name.

My Mother is Afraid, Mostly, of Being Alone

Jackie Chicalese

I am writing myself / into the mother of this poem


From the Blog

Losing the Plot: On Lauren Berlant's Desire/Love

In their entry on love, Berlant writes that we tend to (mistakenly) use the objects our desire attaches to in order to assume an identity— “you know who…

Feeling Political

For Berlant, part of the problem of politics is that marginalized people have to accommodate the feelings of their majority counterparts in order to successfully…